New Tunes Reviews, September 24: The Horrible Crowes, Deer Tick, CHVRCHES, and Tim Kasher

The Horrible Crowes (Brian Fallon of Gaslight Anthem and Ian Perkins) released Live at the Troubadour this week. The album has songs from 2011’s excellent Elsie and full covers and singular verses. There is some light banter about the band’s formation, tramps, relationships, and being fancy sprinkled throughout the recording.
Fallon received some flack recently after his Tumblr post entitled “Tonight You Have Broken My Heart.” In the post, he addressed the direction of Gaslight Anthem and the “play all the hits”/”BRUUUUCE” attitude of many fans after some specific incidents in July 2013. After reading the blog post (and the oddly awkward out-of-context pull-quotes used in some cases), my respect for Fallon grew. Yes, nothing can live up to The 59 Sound.  But, artists need to grow. They cannot be expected to play every song you want to hear and every cover they performed once.  Each release by any of his main-projects or side-projects is testimony to his growth and “don’t take people’s crap” attitude.  
And the cover of “Teenage Dream” is ridiculously fun.

(Ed. Note: This blurb was written without a single reference to Bruce Springsteen and for that, I am proud.) 

Deer Tick‘s quiet moments are often the most enjoyable, as seen in the song “Big House” from their latest release Negativity. The songs are all over the place.  They go from raucous and drunk to easy-going and romantic.  Another great release from this band that puts on one of the most fun (and destructive) live songs I’ve seen to date.
CHVRCHES released their anticipated debut album called The Bones of What You Believe. Another one of those electronic-pop”buzz-bands,” this release is just as expected. The songs are catchy and darkly danceable. For fans of that type of music, this will likely be a BNM (best new music).   
Tim Kasher (of Cursive and Good Life) released a 2-song EP called Truly Freaking Out. It has the usual themes of drunkenness, anxiety, and aging. It never gets old (even when we do). 


Follow my Best Songs of 2013 playlist on Spotify. Updated weekly, this playlist features some of the best tracks from new releases.  Check out the playlist below! 

 
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Best Songs of 2012: Part 2

Here is Part 2 of the best songs of 2012:

“Continuous Thunder” – Japanadriods (from Celebration Rock)
Without a doubt, this album should be on just about everyone’s list for the best of the year.  This song is one of the best.  It is strong like the single (“The House that Heaven Built”), but a bit quieter.  The fuzzy guitars are subdued and wonderful.  Even though Japandriods are just two people, they create a exuberant sound. As this song progresses, its hard not to imagine driving down a road with windows open during the summer.   Its just a great track.

“Heartbreaker” – Walkmen (from Heaven)
The Walkmen are often described as a “Musician’s band” because of their tight melodies and generally strong musicanship.  This album is a great display of all of these characteristics. I was able to see the band perform at Bowery Ballroom on June 6, 2012 and they really dazzled the audience during this intimate record release show. This song is one of the best of the album (although just about every other song is great as well).

“I Never Knew You” – The Avett Brothers (from The Carpenter)
These brothers construct a lush sound in every one of their songs.  This song starts off with piano and draws the listener in.  The harmonies are at the forefront and created a sing-along atmosphere.  This is another strong song from a strong album.

“The Descent” – Bob Mould (from Silver Age)
As mentioned in a previous post, Bob Mould is back.  This opening track to Silver Age sets the stage for a bunch of charming loud songs about growing old.  This one specifically is the most upfront.  The lyrics weigh success over artistic individuality. To answer Mould’s question towards the end of the song, he does make it up to us.

“National Anthem” – Gaslight Anthem (from Handwritten)
I was not thrilled by this album’s single (“45”).  It seemed too overproduced and too obvious.  Instead, I was charmed by “National Anthem.” This song is much simplier and quieter.  It showcases Brian Fallon’s voice and lyrical prowess. He is quiet but strong.  It is similar to other Gaslight gems like “Here’s Looking at You, Kid” (from The 59 Sound) and “The Navasink Banks” (from Sink or Swim).

Honorable Mentions:
“1957” – Milo Green (from 1957)
“Harder Before It Gets Easier” – David Wax Museum (from Knock Knock Get Up)
“This Summer” – Superchunk
“Hey Ho” – Lumineers (from self titled)
“Love Don’t Leave Me Waiting” – Glen Hansard (from Rhythm and Repose)
“Love Love Love” – Of Monsters and Men (from My Head is an Animal)
“In a Big City” – Titus Andronicus (from Local Business)
“Maria” – Justin Townes Earle (from Nothing’s Gonna Change The Way You Feel About Me Now)