+ + +
+ + +
+ + +
+ + +
+ + +
+ + +
Here is Part 2 of the best songs of 2012:
“Continuous Thunder” – Japanadriods (from Celebration Rock)
Without a doubt, this album should be on just about everyone’s list for the best of the year. This song is one of the best. It is strong like the single (“The House that Heaven Built”), but a bit quieter. The fuzzy guitars are subdued and wonderful. Even though Japandriods are just two people, they create a exuberant sound. As this song progresses, its hard not to imagine driving down a road with windows open during the summer. Its just a great track.
“Heartbreaker” – Walkmen (from Heaven)
The Walkmen are often described as a “Musician’s band” because of their tight melodies and generally strong musicanship. This album is a great display of all of these characteristics. I was able to see the band perform at Bowery Ballroom on June 6, 2012 and they really dazzled the audience during this intimate record release show. This song is one of the best of the album (although just about every other song is great as well).
“I Never Knew You” – The Avett Brothers (from The Carpenter)
These brothers construct a lush sound in every one of their songs. This song starts off with piano and draws the listener in. The harmonies are at the forefront and created a sing-along atmosphere. This is another strong song from a strong album.
“The Descent” – Bob Mould (from Silver Age)
As mentioned in a previous post, Bob Mould is back. This opening track to Silver Age sets the stage for a bunch of charming loud songs about growing old. This one specifically is the most upfront. The lyrics weigh success over artistic individuality. To answer Mould’s question towards the end of the song, he does make it up to us.
“National Anthem” – Gaslight Anthem (from Handwritten)
I was not thrilled by this album’s single (“45”). It seemed too overproduced and too obvious. Instead, I was charmed by “National Anthem.” This song is much simplier and quieter. It showcases Brian Fallon’s voice and lyrical prowess. He is quiet but strong. It is similar to other Gaslight gems like “Here’s Looking at You, Kid” (from The 59 Sound) and “The Navasink Banks” (from Sink or Swim).
“1957” – Milo Green (from 1957)
“Harder Before It Gets Easier” – David Wax Museum (from Knock Knock Get Up)
“This Summer” – Superchunk
“Hey Ho” – Lumineers (from self titled)
“Love Don’t Leave Me Waiting” – Glen Hansard (from Rhythm and Repose)
“Love Love Love” – Of Monsters and Men (from My Head is an Animal)
“In a Big City” – Titus Andronicus (from Local Business)
“Maria” – Justin Townes Earle (from Nothing’s Gonna Change The Way You Feel About Me Now)