Appreciation! La Blogothèque

In a hallway, in front of elaborate iron-worked windows and two green trash bins, Bon Iver’s Justin Vernon leads his band in an acapella version of “For Emma,” off his debut album “For Emma, Forever Ago,” clapping rhythm like a human metronome. Vernon tries and fails to open the door for building residents, vocalist/pianist Sean Carey then buzzes them in, bassist Mike Noyce smirks at Vernon’s ineptitude, Carey stoops to pet a friendly dog that runs over; throughout all of which the band never pauses in their acapella serenade. The long hallway, lit by a soft pink glow that seems to radiate off every surface, fills with beautiful three-part harmony. As the song winds down the camera pans to the other end of the entrance-way where a crowd has gathered to listen, and the same dog jumps playfully, looking to be pet.

No. 93 in an ongoing series of Les Concerts A Emporter or ‘Take Away Shows,’ this Bon Iver performance is one of my favorites. Produced by La Blogothèque, brainchild of Chryde and French indie filmmaker Vincent Moon, the artistically filmed live performances take music out of the concert halls and into the streets, literally. Bands play acoustic and/or acapella sets walking down the street, in parks, bars, apartments and even elevators!

The groups, with guitars strapped to their backs, portable percussion (maraca’s, a single drum) and vertically carried keyboards travel through quaint city backdrops and everyday soundscapes (birds, rushing traffic, surprised screaming fans a la The Kooks video) like bands of roving troubadours. In an I’m From Barcelona video, lead singer Emanuel Lundgren leads an unprompted ever-growing pedestrian chorus that follows behind him, like a pied piper of indie rock.

On Parisian boulevards lined with trees and in the interiors of architecturally aesthetic buildings an honest, clean sound is captured in continuous, single-takes, through a lens that makes the images appear to have been sepia-toned and then filled in with water colors. The minimalistic performances paired with facial close-ups, lends an authentic experience to online viewers, granting intimate access to your favorite bands. The only audience is the omniscient camera, or occasionally impromptu crowds of curious locals drawn in (as are we), by the music.

Started in Paris in April 2006, the project has now spread globally and involves other directors in addition to Moon, who shoot bands in locations around the world such as Jerusalem, Montreal and Austin, TX. Lykke Li, The National, Cold War Kids, Fleet Foxes, Bloc Party, Beirut, Margot and The Nuclear So & So’s, The Shins, Andrew Bird and many others have performed for the web outfit. For a full listing of bands and videos go here.

“Our goal is to try and capture instants, film the music just like it happens, without preparation, without tricks. Spontaneity is the key word.”

Other Favorite Performances (in no particular order):

Squeezed into an elevator, the 8-piece outfit still manages to churn out a heartfelt rendition of “Neon Bible,” off their album of the same title. The jigsaw puzzle of guitars, violins, brass instruments and bodies are fitted together in a claustrophobically tight space, making for an intimate performance venue. Band members bang on the ceiling and rip magazines, while bowing violins swell in a tide of emotion, producing a sound that the small space cannot contain. Or if that doesn’t do it for you, the sheer fact that the whole band with instruments fit in that elevator is a feat in itself!

The camera encircles the foursome in a gated courtyard/parking lot as they play acoustic guitars, a keyboard laid down on the concrete, and use dumpsters as a drum set. Surrounded on two-sides by the windows of high-walled apartment buildings, Ezra Koenig’s squeaky voice echoes and amplifies around the courtyard. Something about the open space and stripped down rendition of “The Kids Don’t Stand A Chance” with big drum sounds and a simple guitar riff just works. Then almost like an afterthought the video cuts to the band walking single file down the street playing a minimalistic guitars/vocals/maracas version of “Oxford Comma.” The band’s sparse song stylings echo Moon’s single takes and shaky panning shots, the marriage of which is a match made in heaven . . . or maybe Cape Cod by way of Paris.

You don’t need to do much to make Fleet Foxes look and sound good. With their beautiful, ethereal harmonies and signature Pacific Northwestern flannel outfitting, the group was one of the best to break out 2008. What makes this video great is that Moon in fact doesn’t do much, using subtle filming techniques such as an enhanced dark/light color contrast, and strategically picked locations to compliment the band’s sound and image. A slowed, acapella version of the “Sun Giant” on a park lawn brings to the foreground the naturalistic imagery abundant in the lyrics, and the epic “Blue Ridge Mountains” is performed in a deserted, high-ceilinged area of the Grand Palais, an old palace that fills and echoes with their brazen saccharine voices.

Appreciation! Painfully Hip


Thrifting is not for everyone. Some people get skeeved out sorting through racks upon racks of fashion rejects, sweatshirts that were given out for free at bar mitzvahs, and clothes that were donated because their original owners are now dead. I am not one of those people, and neither is Amber Mortensen, the creator of PainfullyHip.com.

Amber started the site to ward off boredom while working for a sound studio for film and television in Vancouver, BC. She picked up and moved to Sacramento where she freelanced for News & Review, owned her own graphic design business, and occasionally hit the catwalk, modeling for local fashion shows. Now Amber can be found anywhere and everywhere. She has been traveling to her heart’s content, stopping every now and then to sing and strum her ukulele or rummage through the racks in the most fantastic of vintage stores.

Since then, fellow posters, such as Diana and Eve, have joined Amber and together they have helped Painfully Hip live up to its namesake. The site features topics such as thrift star of the day, which allows readers to send in photos of their own adorable outfits, as well as posts about new trends they are loving, and tips from the experts about how to make the most of your thrifting experience. There is even an interview with the always gorgeous Watson Twins who happen to be avid thrifters as well. Who knew?

For those of you who have felt the thrill of finding a designer bag with a $6 price tag attached to it, this site is for you. And it’s for you, holding up that blazer you found in the little boy’s section, thinking, “I can do something with this.” And it’s most definitely for you, wearing your parent’s old clothes from the 60’s and striking a painfully hip pose.

Beauty is pain, so read up.

*Special thanks to Amy Newhall for our thrifting adventures in Westcott and for showing me this site.

Appreciation! KEXP, the radio station to end all radio stations

One of the main ways I get through the work day is by listening to some sweet tunes. More often than not, my soundtrack for the day is a live online stream of KEXP. KEXP is a Seattle-based listener supported radio station that plays alternative, independent and eclectic music, like Harvey Danger, Kings of Leon, The Long Winters, Interpol, The Hold Steady, My Morning Jacket and TV on the Radio.

KEXP began in 1972, broadcasting from the University of Washington campus. Since then it has grown from a 10-watt to a 720-watt award-winning radio station with fans and supporters all over the world.

John Richards (aka. John in the Morning) and Cheryl (the afternoon show DJ) not only present an amazing playlist but provide the listener with an adequate amount of on-air banter. Sometimes sharing a bit too much information, the DJs seem to truly care about the music and the artists they play all day long.

Their website is truly expansive and features a live playlist, a blog (with live show reviews and band profiles), a donations page, concert calendar and information about its djs (even pictures of John Richard’s son, Arlie). In addition to regular programming, there are frequent on-air Live at KEXP performances, countdown lists (like the Top 90.3 albums of 2008 and Top 903 albums of all time).

Although they focus on a lot of Northwestern bands, like Point Juncture, WA and Elks, KEXP also has a connection to New York. John in the Morning can be heard on 91.5 Radio NY from 9-12 a.m. Recently a program called To The Five Boroughs was launched. Also hosted by John Richards, it is broadcast from Radio NY’s Brooklyn studio and features music from local New York bands old and new.

The beauty of KEXP is its interactivity. If you request a song, chances are they will play it (or at least respond to your inquiry). Also (and probably most importantly), KEXP serves as one of my main resources of finding new and interesting music, usually via the KEXP “Song of the Day” podcast. This free podcast features a song each day, selected by the DJs and staff that they deem as a standout. Some of the bands featured on the podcast have been Neko Case, Nada Surf, Miles Anthony Benjamin Robinson, The Gaslight Anthem and Ra Ra Riot.

Now here is a list of 15 bands I have recently discovered by listening to KEXP (with links to their respective myspace pages):

  1. Airborne Toxic Event link
  2. A.C. Newman link
  3. The Bird and the Bee link
  4. The Boy Least Likely To link
  5. Deer Tick link
  6. Elvis Perkins link
  7. The Felice Brothers link
  8. J. Tillman link
  9. MGMT link
  10. Noah and the Whale link
  11. Parts and Labor link
  12. Plants and Animals link
  13. The Rosebuds link
  14. School of Seven Bells link
  15. Vetiver link

This week they are doing one of their tri-annual membership drive. I donated $15. I will be getting a membership card and a free bumper sticker. How much will you donate today?